![]() ![]() Other rights flow, including the right to withhold permission from His work as if it were a piece of property, (13) a right from which Negotiate a mutually agreed-upon course of action beforehand?Ī typical intellectual property law analysis would focus on theĬompeting rights of Cage and Eastman. Homosexuality." (12) Was Cage's anger or Eastman'sīehavior justified? More importantly, why were the two men unable to Lambasted Eastman for being "closed in on the subject of The next day, in a post-concert talk to students, Cage (11) Cage was infuriated because he feltĮastman had inserted identity politics into a piece that transcended Head by engaging in a politically provocative, overtly queer, In 1975, however, the late African American, gay, vocalist, andĬomposer Julius Eastman turned Cage's innocuous directions on their Given about what the action should entail, performers would seem to haveĪ great deal of leeway in what they can do. ![]() Whole or part an obligation to others." (10) Since no details are Instruction: "erform a disciplined action. Piece called Solo for Voice #8 ("Solo") from his 1960sĬollection of ninety vocal pieces called Song Books, (9) Cage gave this Open-ended instructions on how his pieces should be performed. John Cage often used the I-Ching as a source of inspiration, (7) leaving (6) The late white, gay, composer, and poet One place where these contrasting views might be resolved is in the 'enjoy rather than to fear the medium of personal life through should have sufficient confidence in human nature to in undistorted and unadulterated fashion' It is totally understandable for a composer to need to "'get Such an executant will reflect the author's vision withoutĭistortion?" (4) Ernst Krenek, however, once countered that while Interpreter rather than that of the author, and who can guarantee that Interpreted, because interpretation reveals the personality of the Igor Stravinsky said that "music should be transmitted. "Control/It's what I got/because I took a chance/Iĭon't wanna rule the world, just wanna run my life." (3) "t a common human failing to prefer the schematicĪuthority of a text to the disorientations of direct encounters with the TRUST AND COMMUNICATION DEFINED AND APPLIED APA style: QUESTIONS OF TRUST, BETRAYAL, AND AUTHORIAL CONTROL IN THE AVANTGARDE: THE CASE OF JULIUS EASTMAN AND JOHN CAGE.QUESTIONS OF TRUST, BETRAYAL, AND AUTHORIAL CONTROL IN THE AVANTGARDE: THE CASE OF JULIUS EASTMAN AND JOHN CAGE." Retrieved from 2019 Marquette University Law School 24 Jun. ![]() MLA style: "QUESTIONS OF TRUST, BETRAYAL, AND AUTHORIAL CONTROL IN THE AVANTGARDE: THE CASE OF JULIUS EASTMAN AND JOHN CAGE." The Free Library. ![]()
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